.webp)
«More elegant and aloof than before, but always with a dangerous edge»
«Painter, sculptor, designer, simply an artist»
Does Milan Fashion Week still work?
«With concreteness, things reveal themselves»
Noise as the language of fashion according to GR10K
ITS celebrates the next generation of global fashion designers
«True craftsmanship is what you create yourself from scratch,» interview with Domenico Orefice
«We want to bring tradition to the contemporary»
«Amplification is everything today,» interview with Emanuela Schmeidler
«The future of fashion lies in thoughtful partnerships», interview with Bianca Saunders
What it means to make clothes in Palestine: interview with Trashy Clothing
«Quality remains the ultimate goal»
Filipino fashion has arrived at Milan Fashion Week
Italian fashion's problems according to the designers who make it
Interview with Spread the Words Communication, the agency redefining influence
In conversation with So Me, the one who drew the golden age of French Touch
In conversation with Shintaro Yamamoto, the Japanese master shoemaker who shines in Paris
Meet zomer, the Dutch duo flipping fashion upside down in Paris
In conversation with Julie Kegels, the Belgian creator who has conquered the Parisian fashion scene
In conversation with Kate Coffey, director of Dover Street Market Paris
Meryll Rogge is the winner of the Andam Prize 2025
What if independent brands bet on small luxuries?
Why doesn't Italy know how to talk independent fashion?
«I am living a dream, and I don’t want to wake up»
ITS Arcademy launches free fashion and craftsmanship course in Trieste
The passion for knitwear of the youth of Accademia Costume & Moda
What do Italian fashion students think about what they are taught?
The state of fashion today according to the finalists of Camera Moda Fashion Trust 2025
Does fashion in Italy begin and end in Milan?
